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Nail Media Coverage In 3 Steps

dsc_3584[1] Alana MunroAlana Munro’s article   My Book – The Media Coverage  offers some sage advice. Munro cuts through the publicity clutter to get an important job done.    Munro’s solution involves a simple three – step plan. It can’t get any simpler. Consider her three simple steps for yourself:

Step 1 –Munro   wrote the book.

Step 2 – Munro contacted a media professional

Step 3 – Munro showed up willing to put her work out there.

Promoting your book may not go that easy for most writers. Most professional peers suggests developing resiliency and a heaping amount of optimism.

Another alternative is to find a team willing to help you prepare your work for market. Skimping is this area will only hurt your market exposure.  Writers in the market, are you unhappy about your numbers? It is never too late to reshape your platform. At least consider these three steps:

Step 1 – Have a compelling product offer. Publishing is a business. Your book is your product.

Step 2 – Know where to market your product. This requires time and research. Did I write time and research? I will write it again. It is just that important.

Step 3 – Develop a team outside of your personal network to ensure your product flourishes.

Most writers do not have a direct connection for receptive media coverage.  Lack does not have to be a permanent roadblock.  Find someone or a team who will take you beyond your contacts. The F3WSINC Team is one alternative that comes to mind. No publicity project is too small.  Or We Eat Books is just great for literary Visit their website for more information. Get   closer to your publishing goals.

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Spellbound In His Arms – Free

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Suspense romance writer Angle Sefer is offering a free download of her title Spellbound In His Arms.

Click here for more information.

The Author

Angel Sefer is a woman who understands division. Her time has been spent on both sides of the Atlantic earning a degree in Economics.  This wife, mother, and career woman also has another passion. Writing. Her latest title is Spellbound In His Arms. Sefer is also the author of mystery and adventure novels. She lives in Athens, Greece, with the two loves of her life – her son and her husband – and her wonderful and supportive family. Who says you can’t have it all?

Agnel Sefer



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Tolmay’s World and the Pool of Light Give Away

Front cover pool of light cover2    M. E. Lorde creates a gripping story set in the earth’s future, where the youth of the world have the privilege and burden of saving humanity from extinction.  Win a copy.  Giveaway dates:   Jan 21 – Feb 08, 2014. Ten copies are available.  Register

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Win Contests

Seven Ways To Win A Story Contest
Contest-winning manWould You Like to Win a Short Story Contest?

What do judges look for when awarding prizes in a story contest?

You’d expect every reader to bring their prejudices to the table – and they do – but professional judges usually agree to a remarkable degree on which stories merit an award.

How do I know? I’ve just judged several hundred entries in the Writers’ Village international short fiction contest.

To ensure fairness, I then submitted the shortlisted entries to a further panel of judges, all acclaimed authors. Their verdicts were almost identical.

How did they select the winners, among so many excellent stories?

The judges were not greatly moved by lyrical language, snappy dialogue or deep insights into the human condition. They looked for evidence of structure. Provided a story was competent in other respects, its structure, or lack of it, was the deciding factor.

How can you strengthen story structure? Ask these seven key questions of your story – and you’ll know!

1. Have you focused on just one protagonist?

A short story should have just one protagonist whose viewpoint the reader will occupy. A story may be told by several narrators, or through more than one point-of-view (pov), but one protagonist must clearly predominate to sustain the reader’s engagement in the story.

Chaucer told The Canterbury Tales – a collection of short stories – through 24 different points of view, but the presence of a single protagonist, the host Harry Bailey, is always implicit.

2. Do you bring on the protagonist quickly?

The main character should appear in the first 400 words of a short story or no later than page one. Readers bond with the first strong character they meet. It’s important that the first person they meet is not a bit-player who subsequently disappears.

3. Is conflict introduced almost at once?

The protagonist should be involved in one or more meaningful conflicts almost at once. The conflict(s) may be physical, emotional or psychological, but they must represent two or more forces opposed within the protagonist’s mind.

The conflicts in the stories of the late Tom Clancy might appear at times to be entirely military or physical, but the protagonists are simultaneously wrestling with inner conflicts such as self-doubt or divided loyalties.

4. Does your protagonist change?

The conflict must change the principal protagonist in some way; s/he should be a different person at the end of the story.

Stories presented as a serial may appeal because the reader knows the protagonist will not change their character from story to story. But s/he must still arrive at the end the story having learned something significantly new about themselves or human nature. Otherwise, the tale is a cartoon strip.

For example, Sherlock Holmes is a serial character. Nobody expects him to be a different person at the close of every conundrum he solves. But the stories usually end with him making some wise observation to Watson. The great detective has learned something new from each encounter and, to that degree, he has been changed. (Indeed, his meeting with Irene Adler in A Scandal in Bohemia radically changes his attitude towards women.)

5. Is there a single underlying theme?

Theme is the underlying significance of the plot. A short story should have just one prevailing theme, and a single master plot. All sub-plots, if any, and ensuing conflicts should support that theme.

The French scholar Georges Polti said there were only 36 master plots in all the stories of the world. For example, Polti’s first master plot involves a Persecutor, a Supplicant and a dubious Power which may favor one side or the other. Doesn’t that remind us of Shakespeare’s Merchant of Venice, where the merchant Antonio is persecuted by Shylock but saved, after Portia’s entreaties, by the Duke of Venice?

The theme of this master plot? The power of mercy over hate…

6. Does your story close by revisiting the theme?

The close of your story should revisit, in some way, its theme. The central problem may be resolved, or the tale might close upon a note of tantalizing ambiguity. There might even be an acceptance that the issue(s) will never be resolved, but it must return – no matter how obliquely – to the theme. If it doesn’t, there’s no closure.

Even Henry James’ The Turn of the Screw, which seems to end with no conclusion, does close. Because it returns the reader to the problem posed by the narrator at the start. What (really) is Truth? That problem defines the story’s master plot.

7. Have you engaged the primal emotions?

The theme must engage the protagonist’s, and, by extension, the reader’s, primal emotions or carnal drives. Defined in the crudest terms, these include sex (or procreation), physical survival (for self, family or tribe), emotional comfort (love, friendship and community), and spiritual survival or advancement.

The theme and ensuing conflicts in a strong story should involve one or more of these primal drives. If the protagonist is not personally threatened or engaged in these primal areas s/he must become emotionally involved with a character who is challenged in one or more of them.

For example, the crime stories of Kathy Reichs appear, at first glance, to involve no primal drive. They’re grim whodunits, escapist entertainment. But Reichs’ heroine, the forensic anthropologist Temperance Brennan, is obsessed with a passion to avenge the dead – to re-assert the values of a civilized community and so protect the ‘tribe’. That’s a primal drive.

The author can invoke a primal drive overtly, as in a suspense thriller, or tacitly, as in a literary story which fits into no obvious genre. But it must be done.

If your stories tick all these boxes, and are otherwise well-written, they deserve to be short-listed for an award.

If they don’t incorporate these elements, no tricks of plotting, characterization, dialogue or the like can help you. Because your stories will be dead. They won’t engage the reader.

Of course, there’s a lot more to writing great stories. No doubt, you can easily think of stories that broke each of these rules, yet won.

So why not share them? Or suggest other rules that win readers – and awards? Please leave a comment!

About the author: 

Dr. John Yeoman, PhD Creative Writing, judges the Writers’ Village story competition and teaches creative writing at a UK university. He has been a successful commercial author for 42 years. You can find a wealth of ideas for writing stories that succeed in his free 14-part course.

Image: Win a contest courtesy of Bigstockphoto.com

The post Seven Ways To Win A Story Contest appeared first on Write to Done.

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Rankin’s 10 Rules for Writing Fiction

10 Rules for writing fiction

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Apologies and Microrants. . . Are You Listening?

Usually blogs don’t start with apologies.  Today I am breaking that rule to establish my premise for breaking subsequent rules. Cliché, yes but please be patient. You deserve a jewel for tolerating my meager apologies.  I do bear gifts.    First I apologize to my followers for the lack of consistent publishing. Know that finding you jewels worthy of reading is a challenge.  It has been difficult to find articles which could make the cut.  Well, that is another article, another story.

Jennifer Howard’s Chronicle article Big Ideas and a ‘Microrant’ for University Presses pointed me to a jewel. Now that my courage meter is peaking, I am ready to share my second apologyTo Professor Ian Bogot, I gratefully apologize for posting your entire article without your permission.  All is fair on the internet. All credit goes to you.  We who aspire to inspire and wrestle with publishing demons are in awe of your rants. We  are soaking in your wisdom. Your article ignited a  nerve in my spine making it difficult to suppress my need to share. Please forgive me for my breach. The article below compellingly states what many of us in academia and publishing are afraid to express.

Author, Entrepreneur,  Professor,

Author, Entrepreneur and Georgia Tech Professor

Principles for University Presses

My Twitter microrant sideline during the AAUP 2013 plenary

June 21, 2013

The annual American Association of University Publishers meeting is going on this week. This morning, a plenary was held on “Three Big Ideas in Publishing.” I wasn’t in attendance, but the conference has a thriving Twitter back channel on #aaup13.

I have very strong feelings about university presses, partly because I’ve been so fortunate at their hands, and partly because there’s still so much work to do. So I tried my hand at a Umair Haque-style numbered, multi-part commentary during the plenary. It’s a shame for these things to disappear into the unsearchable bowels of Twitter, but luckily Undi Gunawan Storified the works, which I now embed below:

@ibogost on Journal and Publishing

Ian Bogost@ibogost 7 days ago

1. Publishers publish. Publicly. If I can do public intellectualism more easily at @TheAtlantic or @newinquiry, something is wrong.

Ian Bogost@ibogost #aaup13

2. Invest more in editorial. Copy editing isn’t editorial. Scholarly books need to be better written. The writing is terrible.

3. Invent something new. There’s a huge open space between trite trade non-fiction and scholarly esoterica. Fill it.

4. Forget about the tenure issue. Work that matters produces impact and renown, which results in tenure.

5. Build evidence for # 4. with your authors and use it solicits better authors.

6. Eschew vampire publishing, publishing just-to-have-published. It makes a mockery of everyone. It makes you a laughing-stock.

7. Open Access is important but distracting. The issue isn’t “openness,” but getting the right work into the right eyeballs.

8. You can make up number eight. This thing is way harder than it looks.

9. If there is a “dying” form it’s not book but the journal. What could we do to make technical, inter-field discourse not suck?

10. It’s time for academic presses to have AUTHORS instead of just SCHOLARS as their writers. Force us to be both.

11. As an author, I want to write good, important books that people read and that influence them. Help me do that.

7 days ago

Tenure is like Euridice. The minute you start focusing on it directly, it disappears. @fiveoclockbot

@fiveoclockbot Starting with tenure as the goal is ass backwards.

When wisdom speaks, enough said.

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Evil Is A Winding Road

dafletcher55@twitter.com; D. a. Fletcher.com; facebook.com/D. a. Fletcher.54/dfletcher@f3wsinc.com


Some men embrace their destiny propelling themselves from a lowly status of normalcy to greatness. This attribute is true of me. It will probably become a character staple of any foe of my choosing.  Other men dwell in fear and shame keeping their heads down hoping to never be noticed in their meager lives. They follow every rule. They are always kind to children. You can rely on their faithfulness like any Wright men who take on their roles as law enforcement officers. Sadly, their efforts fail to bring them substantial rewards. I, Tempest Sanguine am not one of those men.

It’s not that normalcy does not prevail in my world. Normalcy is one of my most treasured elements when the first ray of light touches my face. It is in those quiet moments my depraved power draws out a meticulous path in the wash of the morning sun. For years my ritual never deviated from routine scans of quotes scattered within treasured leather-bound editions. My current lingering quote . . . . The shadow of age does not deter me. Nor will the virile men stop me. For the scent of a rose bends the steel that reaches my door. I make my destiny in the face of innocents. My wealth is forged on thrones of the powerful. . . Although the author does not come to mind, this is one of my favorite morning declarations. I use it as a reminder of my purpose.

Lately, I am finding this task of purpose a bit tedious. A like mind is becoming more desirable. Together we could manipulate my circumstances. Like any diligent mentor, my tidbits of wisdom would be enough to keep my new protégé roped in newbie status. My seditious bend toward enlightened appetites sets me apart from others in every experience. It also assures me any protégé’s anomalies would also never be understood in this world. The challenge lies in finding such a mind. From conception to birth my relationships have endured the mundane. Life with my parents was hardly tolerable. Something was always getting in the way. Since childhood, my longing for a companion evolved.

It soon became apparent I would do without a precious friend. My only anticipation was my consciousness of the presence lingering at my bedside in the dark after my mother left for the night. As a boy, my waiting kept me hopeful I’d find a mentor for sharing something unique in the darkness. Early on it became apparent that acceptance nourished my cravings. It was akin to my own mother suckling me from her breast.  My needs were an abyss recognized only by my mother. A mother sees these things in the eyes. The horror in her eyes betrayed her. On that morning fear danced in my mother’s eyes. Her irises were pools of fear.

Dear mother contemplated how she could have possibly groomed what stood before her eyes. She looked upon me as if the taste of blood would be sweeter nectar than breasts that had suckled me. The experience was most unsatisfying. It was a special moment when she realized whom and what she had birthed. I gave into my insatiable urge to biting down hard. When my mother slapped me, I released her nipple from my teeth drawing my first blood. It gave me an exhilaration that I have never been able to repeat until my first kill.

One day great minds will trace my feats back to my departure from my mother’s womb. They will understand an all-consuming austere force arrived with me at my birth. Expeditiously, scientists will pursue genetically altered inoculations to champion rescue efforts on behalf of other unsuspecting babes from peril. The smart money should be on harvesting these dark mentors for battle. Eventually, the task to suppress my appetite became a ritual.

School administrators and my parents swiftly shuffled me from school to school. Time passed slowly. Ciphering quadratic equations between visions of my classmates decaying bodies floating through my head helped to speed things up. It was always the same until fate took hold. Today the drone of the court’s steel nets clattering incited me to ravenous states. Visions of tiny heads severed from their mutilated bodies scatter my thoughts. It was the most satisfying exercise of the day. Fate pushed me towards a much more rewarding sport. The opportunity was brought on by the daily neglect from our teachers comparing notes of undesirable students.

It was the accepted cue for activities on the east side of the playground to shift. Favor finds us all. Fate allowed me to become privy to the one weak spot our playground bully possessed. A spotted breed kitten whose last meal probably came from an alley somewhere nestled in the playground bully’s arms. They were an odd lot. Its shabby charcoal stripes matted against amber fur was a prime target. The bully’s testosterone skewed body cuddling a whiny animal was a humorous site. It made me wet with appetite during the entire recess.

Once lessons commenced I feigned a reason to visit the school nurse. It wasn’t a difficult task. It was common for students to avail themselves to the clinic after a scorching PE session. Cafeteria surprise meat and sixty minutes in the noon sun was a tormenting combination. Today was my turn to benefit from the school’s culinary choices. My scurrying towards the clinic was the obligatory detour to my proposed destination. It was not so easy avoiding prying eyes. Students noticing me were envious to distraction until a wooden ruler prompted a return to their lessons. Hall monitor eyes were no less prying.

“Young man, wait.”

Man, the school counselor volunteering as fifth period hall monitor. My timing was completely off today.

“Yes sir?”

The counselor’s eyes dropped to the paper in my hands before I could provide any expected excuses. His gesture requested my note be visible. The presence of my teacher’s signature on the note was my only reprieve. Sufficiently placated, the counselor made his way down the hall spewing his usual banter over his right shoulder.

“Be on your way. Don’t disturb your fellow students.”

The rest of the school staff observing me paid little attention once they spotted the piece of paper in my hand. I was free to roam at leisure as long as I remained in the wing attached to the school clinic. My final detour positioned me at the base of a window left carelessly propped open granting access to the playground without encountering any school officials. A thirty-second dash across the basketball court took me right to my prey. The kitten was lapping up milk from a make shift milk carton bowl.

The spot was a favorite hide out for older students. It was called Nature’s Bench. It was completely out of sight. This mass of stone is surrounded by foliage and other chips of stone. Nature’s bench offered a refuge from suspicious truant officers and meddling patrolman when Neanderthals were lucky enough to find a partner for making out. That was never my intent. Once in a while I would follow couples to watch. Today I approached for different reasons. The school bully would be in for a surprise when he lured the next girl back here to see his kitten.

Everything was perfect for exacting my revenge. At least five other stones were within my reach. The tips of my fingers searched for the most appropriate stone to fit within the grasp of my palm and still do the job. In my mind, every detail was still as clear as the number fifty-five illuminating on the police car’s side doors. Blue and red flashed lights beaming across the top of the stone bench.

Our proximity was close enough to read his name tag. It spelled C. – A. -W-R-I-G-H-T. It was forever burned in my head, fifty-five and Wright. My breathing dropped with disappointment. Sounds of nature hid the dragging of oxygen moving through my lungs. Perspiration settled across my forehead as if my body was signaling the rest of me to accept imminent denial. The chill in my veins almost stopped my heart. It was evident my plan was foiled by this rookie. My vision blurred as I visualized him on the ground with a bashed head. Officer Wright’s twang filtered the static of his radio.

“There’s nothing here. It must have been a stray or something. Sarg. I’m returning. This is fifty-five…”

The rookie walked right past me. His pace was methodical. It was as if he sensed my presence. My urge to direct my anger was forced inside. For the first time, my senses were awakening at school. The leaves rolling across the concrete were a stark contrast to the collage of colors usually found on a playground. Those tattle tale signs of intrusive gym sessions dissipated against the backdrop of academics. The timing privacy offered could not have been any worse. Officer C. A. Wright had spoiled my first kill and risked himself without any knowledge of his efforts. It would have been hours if not a day until my intended work would be discovered. The officer’s flashlight beam striking across the tops of those stones spoiled the eroticism of the moment. Delaying my gratification for more tawdry surroundings forced me to return to class defeated. Now the sound of another Wright interrupted again.

“Fifty-five? What? Sanguine, there is no fifty-five sign any where in sight. I’ve made a turn on to the wrong road. All these wrong turns are costing you dollars.”

Sanguine ignored Wright’s attitude focusing on the anguish of delayed gratification. Thoughts of wrong turns robbing him of reprisal catapulted Sanguine in anguish. Wright’s broken words had brought him back into the brink of rational conversation. Sanguine composed himself commanding a response.

“Oh, yes, Wright. Your plans to return home would have to wait. Your uncle’s delight will be well worth it. We sporting kind have our ways.”

The delay in cellular disconnection occasionally serves a noble purpose. My suspicions are now confirmed. Now Sanguine dismissed the rigors of idle conversations and a weekend of sport. He relished in the thought of everything being tied up neatly into one small mishap with no one being the wiser. Sanguine had no way of knowing his sources were correct. Easy money was known to corrupt the soul. Transactions with the feeble failed to provide reliability. One simple electronic malfunction had made it possible to verify what thousands of dollars could not buy.

I will never forget that voice. Those eighteen words almost ruined all my plans. It was months later before I could work up the nerve to act in the unforgiving light of the school grounds. Only the stupid ones risk acting out in the open. The brave dare not. The thought of sacrificing his surprise for bullies cutting classes truly pained my spirit.

It had been years but not much had changed. It was all coming back to him now. Eighteen words had made the difference between discovery and destiny. The omnipotent power had stepped in once again. It was working now. It was the simplicity of three statements. There was no longer a need to concoct any excuses. No imaginary assignments or corrupt employees would be needed to take care of this loose end. Thoroughness with details had allowed me to go undetected in my obscure community. Millions of dollars hinged on my penchant for resolving details. It’s a quality foe and friend must never abandon. Those Wright’s snubs to details are soon to be my fortune. Once I can accept the bid and assume my rightful place my place. Sanguine imagines his accolades.

“Tempest Sanguine, We welcome you. It’s an auspicious occasion to induct someone of your stature. Gentlemen raise your glasses.”

The sport of this weekend would be a small concession. Sanguine would consider the weekend an interesting opportunity to network with influential guest and mollify his appetites if either man proved to be a formidable foe. Everything was in place to appease his other guests. Sanguine’s revelries were legendary for their pageantry. His staff was groomed to gorge guests with decadent fare and ostentatious events. Everyone except those in attendance of the obscured rooms would leave with enough tales to amuse themselves once they recovered.

It’s not often that one gets to see what goes on behind some of Kentucky’s most palatial homes after the Derby. Most of the world thinks it’s just bourbon and horse farms since the tobacco industry took a nose dive. Guests at the Sanguine estate never managed to reveal anything different. Those lingering in obscured rooms weren’t any different. The beautiful people showed up and went home oblivious to their part in depravity. They, like the rest of the world would be surprised if not mortified, to know the influence this part of Kentucky yields on government and industry policy. It would be an even greater surprise to discover the impact all their rejuvenation pills had on the daily lives of one another.

Sanguine believed the quality of life flutters around surprises. His favorite musing ­- Most of our lives is but a minute in the universe abridging nature’s functions . . . or at least those are words that cemented themselves in his mind. Those words had taken him through trying moments of his childhood when denying his urges pushed his limits. The satisfaction in believing he had control of the relationship with a dark mentor made up for everything except for one detail he hoped to soon to be a distant memory for him.

The background twang of Unc’s voice lingered in my ear long distracting from the conversation with Wright.

“It’s all settled, Wright. You and your charge should take care to arrive before dark. Around here private roads bear discrete markings.”

Nothing had changed about its texture. The fast succinct delivery pushed out messages with urgency. One had to listen closely to realize the last letter of every other word was dropped. This was an odd quality in the speech of a cracker jack detective. Retirement hadn’t helped Unc to break the habit. A. L. Wright’s voice offered a more tangible distinction.

“GPS is calibrating as we speak.”

Unc’s voice filtering into his radio had revisited me over the years. The old man’s voice was definitely memorable. He had no reason to remember mine. To him, nothing about me as a young boy merited anything beyond a first glance. Now even my desire to be curt with Wright would not sabotage such a refuge. Adequate directions and then off the phone is my best approach.

“Sometimes GPS may not route them. You will be taking the third road to the right off the exit once you cross the county line.”

Normally Wright wouldn’t take his eyes off the road driving unfamiliar territory. He didn’t like hands on calls while driving. He didn’t trust his rental. Wright’s eyes went right to the in dash LED screen.

“Wright, take note. Private roads are unmarked. Locals covet their privacy. You and your charge will want to arrive before dark.”

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R. Narvaez’s Roach Killer And Other Stories

R. Narvaez’s Roach Killer And Other Stories.

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R. Narvaez’s Roach Killer And Other Stories

R. Narvaez

R. Narvaez

This is the time of year when commercialism influences almost everything.   Usually seasonal chaos bullies us into invitations and shopping depriving of the world of undisturbed reading.  E-readers make it easy for us to read without anyone being the wiser that it isn’t a holiday tale that captivates us. This season author R. Narvaez had a surprise waiting for me.  In search for something different, a few touches introduced me to R. Naveraez’s Roach Killer and Other Stories. This selection contained a sleepy tale titled Santa’s Little Helper.

Naveraz is a writer who stepped out from the pack with Santa’s Little Helper. This twist on seasonal gift delivery has a singe of coal on it.  Bianco, a not so angelic United Parcel driver has a new helper.  His name is James. James gives Bianco a chance to let his hair down. Bianco gives James opportunities to be stupid.  It appears this duo misses the mark about one another during their larcenous service.  As expected, all is not well in Workville.  These Elves are restless and who knows what will be at risk.  One thing is for sure, low rent criminals always get their due.  Naveraz weaves a web of distraction in the eight stories in Roach Killer and Other Stories.

Narvaez’s Roach Killer is not just a fictional story. It’s a collection of works about eclectic characters’ whose lives are on the edge.  Eight stories take readers on a tunnel ride which allows readers to view these character’s worlds through a kaleidoscope. Readers who respond out loud need to find themselves a secluded spot.  The mind begs a series of questions in every story. Dumb criminals, frustrated mistresses, hit man, and a host of others destined to stumble will entertain. There are plenty of passages that prompt you to ask Iris and her cohorts, “Do you really want to go there and do I have to go with you?” It doesn’t make any difference because you are already hooked.  Initially, you hesitate to turn another page.  But like most book lovers; you click, touch, or bend the page to the next morsel.  It is almost impossible to resist a story with spikes of reality that cause your emotions to churn.

Iris a favorite, a single pregnant unemployed mother leaps off the page shouting, “Hey look at me.” The man in her life who refuses to marry her but will gladly do the rest.   He even chides, “You can support me now.” Iris was slow to see many things but her circumstances didn’t keep her from seeing an opportunity to set herself free.  Iris like most enterprising women is full of surprises.  She has ambitions and dreams.  Becoming a numbers gives her the courage to sustain her life. This is a decision that is not met without opposition from friends and family.

In Naveraz’s Hurricane, a 2012 eBook formerly known as Juracán depicts how is a tale about a guy who calls himself Papo. Papo has returned to Puerto Rico for his cousin’s wedding.  This wasn’t his first or last mistake. He has a past contrived from bad decision-making which follows him right up to the morning after his cousin’s wedding. Papo is a likeable guy whose soft spot for dogs and women keeps him in the middle of history, road carnage, and the turmoil from a beauty named Itaba. Itaba is a married ruthless archaeologist with ambitious plans driven by an insatiable lust for power.

Naveraz uses his uncanny ability to use human behavior and institutional symbolism to hinge his character’s fate around one simple decision.  Sometimes it’s the choice of vocation.  Other times it’s the choice to have another drink or linger over breakfast.  Sometimes one more drink for the road is just that. Or another serving of breakfast bounty is satisfying one’s hunger.  In Hurricane, nothing is just that simple.  Those innocent acts plot the character’s path to intrigue through marital betrayal, the history of Tainos, and Yocahú, a Taino deity.

Naveraz uses history akin to prevailing story telling educating readers beyond the spin of the story. Hurricane offers readers a peak into the culture of the Tainos who are Native Americans of Puerto Rico, the indigenous people of Boriken.  It doesn’t take long for Papo to learn that Boriken is the real name for Puerto Rico. He also finds that he is about to become as much of a victim to Itaba’s whims as the Tainos for Columbus’ ploys.

Papo like the Tainos met their foe in Puerto Rican shores.  The Tainos hospitality brought them extinction from smallpox. Papo’s freedom is doomed for extinction on the shores of Puerto Rico. Hurricane is a story which shares the perils of weathering the storms of life.

Roach Killer the Hit Man, is smart enough to know prison friendships are not relationships he wants to continue.  Naveraz uses the patterns of street vernacular to depict this tale of challenges for his main character, Roach Killer. Naveraz’s character finds that it’s not his past mistakes are not the only thing haunting him. Those prison relationships are sticking to him like a stench that lingers beyond the soap. Naveraz’s depiction of surviving prison gives a striking perspective as RoachKiller navigates his world.

Change is not easy. If it was every fictional character would be perfect. Naveraz knows this as he paints a picture of a thug in turmoil. Naveraz captures the language as well as those intimate moments of life on the rough side.  Who knew a killer would have a heart. His love for Abuelita kept him imprisoned on the outside.  His weakness for a kid weakened him. RoachKiller is a story with meat

Naveraz’s Eulogio Vega in the story GhostD mimicked the popular detective hero.  Vega is a man caught in the times hoping to do something different.  Like anything else his is forced to reckoning with his circumstances.  This time it is finding a seventeen year old bookie mixed up with somebody else’s money.  Situations bringing Naveraz’s characters to life are predictable. How they react is not.

Each of the characters in those remaining stories like Unsynchronicity (2006), Ibarra Goes Down (2010), Watching the Iguanas (2010), Rough Night in Toronto (2006), and Zinger (2012) weave a very special tale with their unique blend of flavors. Naveraz manages to depict dubious morals and unlikely victories under the worst of circumstances. Readers will debate their individual merits of worth endlessly.  But they will be hard pressed to present a view which can be labeled wrong. The only way to be sure is to read Naveraz’s RoachKiller and Other Stories for an evening of unexpected diversions.

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Better Writing In 10 Steps

Better Writing In 10 Steps.